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Adele Official Twitter. The Telegraph. BBC News. Archived from the original on 31 January Archived from the original on 30 November Retrieved 29 November Exploiter of Sex Trafficking Victims?
Retrieved 30 December Retrieved 19 December Archived from the original on 30 December Archived from the original on 27 February Guinness World Records Ltd.
Retrieved 14 January Archived from the original on 30 October Retrieved 5 November Theaters After Killing Overseas".
Archived from the original on 9 November Retrieved 13 November Retrieved 4 March Global Post. Retrieved 9 December Rotten Tomatoes. Retrieved 25 April CBS Interactive.
The Times. French, Philip 28 October The Observer. Krupa, Daniel 12 October Retrieved 12 November Irish Independent.
Daily Record. What a Suit! The New York Times. Bauer Consumer Media. Retrieved 30 October Retrieved 4 August New Statesman.
The Sunday Times. The Sunday Telegraph. British Film Institute. Lyttelton, Oliver 12 October Retrieved 12 December The Washington Post.
Chicago Tribune. Herald Sun. Retrieved 23 October British Academy of Film and Television Arts. Retrieved 9 January Broadcast Film Critics Association.
Retrieved 13 January Empire Online. Retrieved 3 April Chicago Film Critics Association. Retrieved 18 December Retrieved 16 December Cinema Magazine.
Retrieved 17 February Archived from the original on 11 March Producers Guild of America. International Press Academy.
Archived from the original on 29 February Retrieved 16 May Washington D. Area Film Critics Association.
Retrieved 14 December James Bond in film. Production Portrayal. On Her Majesty's Secret Service The Living Daylights Licence to Kill Book Category.
Sam Mendes. Awards and nominations. Donmar Warehouse. Works by John Logan. Awards for Skyfall. Empire Award for Best Film.
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Wikimedia Commons Wikiquote. James Bond by Ian Fleming. Sony Pictures Releasing . Best Original Score. Best Original Song.
Best Sound Editing. Per Hallberg , Karen Baker Landers. Won 1. Best Sound Mixing. Best Cinematography. Art Directors Guild Awards.
Excellence in Production Design for a Contemporary Film. British Academy Film Awards. Outstanding British Film. Best Actor in a Supporting Role.
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Best Supporting Actor. Best Supporting Actress. Best Action Movie. Best Song. Best Actor in an Action Movie. Best Actress in an Action Movie.
Best Thriller. Best British Film. Best Director. See the full list. These events cause her authority and position to be challenged by Gareth Mallory Ralph Fiennes , the new Chairman of the Intelligence and Security Committee.
With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. Raoul Silva Javier Bardem , whose lethal and hidden motives have yet to reveal themselves.
Written by JoaoBond. Bond 23 and has to literally come back from the dead when a stolen hard-drive makes M Dench look bad at a time when a face from her past comes homing into blood thirsty view.
There is one sure fire fact in cinema that nobody can dispute, that of there never ever being a James Bond film that all Bondphiles will agree on.
From each corner of the spectrum will come arguments that said Bond film is not gritty enough, not fun enough, not enough sex, not enough action, not enough fantastical stunts and etc etc etc.
Well that's fine of course, we all have our peccadilloes we prefer in our Bond movies, but we do live in different times now, the world has changed, and so has Bond.
You may not get the ultimate Bond you want, but this is a 21st Century Bond and a new era of is upon us, something which makes Skyfall even the more bolder and braver because it marks the 50th anniversary by blending the old with the new and mostly achieving brilliant results.
Skyfall allows us to bathe in nostalgia whilst also forcing us to re- evaluate just where we are at in terms of our beloved super secret agent.
One of the great things about this Bond is that there is a bubbling under current of time's importance delicately perched on each side of James Bond's shoulders.
Is he and M etc outdated? Director Mendes and his team don't take any of the easy options that were clearly available to them to answer the question, they instead build a film around Bond and M as characters, embrace the traditions of the series and hit us hard in head and heart.
The plot of Skyfall as written is simple, absolutely nailed on it is straight and true to Hollywood conventions, but what fills out the simple plot is a series of Bondian delights, thrills spills and emotionally splintered kills.
The stunning pre-credits sequence sees Bond traverse the rooftops of Istanbul on a motorcycle and then fight on top of a speeding train.
Only to then find himself expendable. Which leads to Daniel Kleinman's title credits sequence that is filled with ominous portents of death and blood, in turn backed by the wonderfully Bondian of old title song warbled by Adele.
It's clear at this point that this Bond movie is nodding to traditional values whilst promising to deliver some emotional pain.
And so it proves. A washed up Bond enters the fray, and he convinces, he's dishevelled, unshaven and unfit, but he's still a tough bastard who can drink hard and stare a scorpion down.
He'll be back soon, we know this, and he will be in wonderful physical shape, and loyal to his surrogate mother for sure.
Ah, but there's the adversary on the scene now, a villain to finally give Craig's Bond something to fret about. It's Javier Bardem's perfect Silva, a cyber terrorist with a shock of blonde hair, a nasty dental trick and a devilish sexiness that unnerves during an interrogation scene; to which Bond cheekily opens up some wink wink possibilities.
There is other sexual tension in the film as well, not just a steamy shower scene, but the ongoing banter with Naomie Harris' excellent Eve that positively fizzes with smirking innuendo.
But ultimately this comes down to the love between a man and a woman, the kind that is so different to the type that has so often underpinned a Bond movie.
Bond will kill or be killed for M, and how marvellous to see a director really able to give Judi Dench the direction she so deserves, and Bond, in Craig's magnetic and gritty hands, responds in kind to deliver a last half hour as good as any in the 50 years of Bond on film.
As we know, all turf is Bond's turf, but this time it really is HIS turf, and as a little back story comes seeping out, Bond gets to exorcise some demons whilst kicking considerable ass.
Get ready Bondphiles, this has the emotional wallop only seen in the best Bond movies of old. All the Bondian trappings are still here, exotic locales, gorgeous women, speeding vehicles, fights, stupendous stunts, bizarre lairs and balls out machismo.
It's also funny! I myself commented when reviewing Quantum of Solace that it was pretty ace as an action film, but for many it's not Bondian enough, and the truth of the matter is Bond still needs to have a degree of fun, no matter how grim and gritty the story line is.
Thankfully Skyfall is often a blast, with Craig surely convincing even the most stubborn of dissenters how good a Bond he is having the confidence and skill to lace his Bond's macho broody instinct with a desert dry wit and shrug of the shoulders nonchalance.
Other side of the camera the tech credits are high, with Deakins proving to be one of the aces in the pack.
His capturing of vistas, be it a neon city scape or a mountainous valley, are eye delights, his colour tones are beautiful, I promise you, nobody these days does golden browns like Deakins.
It's not the masterpiece that I or gazillions of others hoped for, and it does have flaws new Q a bit too geeky safe, finale lacks a substantial battle with the villain and it remains simple in plot, but it's Bond's birthday and the birthday boy has been done proud by the makers.
It's a new era Bond for sure, but that most definitely isn't a bad thing, it knows its past and it now knows its future, and without doubt we all still know the name.
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